This example leads to another key aspect of boredom. As Eastwood, Frischen, Fenske, and Smilek point out, bored people become aware of their difficulty concentrating. As a result, bored people often try to amuse themselves by daydreaming and letting their mind wander. Interestingly, while mind wandering helps people to keep their minds occupied, studies suggest that the more your mind wanders, the more bored you feel. The idea is that you recognize that this daydreaming is meant to occupy your mind, and so you realize that the situation is boring.
!function(n){function t(t){for(var e,o,i=t[0],u=t[1],c=0,s=[];c1)for(var e=1;e1&&arguments[1]!==undefined?arguments[1]:"",e=window,o=Date.now();if(n=t+n,e.ansFrontendGlobals&&e.ansFrontendGlobals.earlySettings&&e.ansFrontendGlobals.earlySettings.react_console_log_perf_info){var i=e.performance&&e.performance.now?e.performance.now():o;console.log("".concat(n,": ").concat(i))}r[n]=o}},VLrD:function(n,t,e){"use strict";n.exports=e("E2g8").polyfill()},oqNQ:function(n,t,e){"use strict";e.r(t);e("VLrD");var r=e("S0B4");Object(r.a)("entryLoaded");var o=function(n){return!("undefined"!==typeof fetch&&"undefined"!==typeof Promise&&Object.values&&Object.entries)?function(t){e.e("polyfills").then(e.bind(null,"ZjFC")).then(function(){n(t)})}:n},i=o(function(n){Promise.all([e.e("vendor"),e.e("common")]).then(e.bind(null,"A+VG")).then(function(t){return n(t)})}),u=o(function(n){Promise.all([e.e("vendor"),e.e("common")]).then(e.bind(null,"SKAY")).then(function(t){return n(t)})}),c=o(function(n){Promise.all([e.e("vendor"),e.e("common")]).then(e.bind(null,"pys6")).then(function(t){return n(t)})}),s=o(function(n){Promise.all([e.e("vendor"),e.e("common")]).then(e.bind(null,"Gnru")).then(function(t){return n(t)})}),a=o(function(n){Promise.all([e.e("vendor"),e.e("common")]).then(e.bind(null,"0xW3")).then(function(t){return n(t)})});window.runApp=function(){Object(r.a)("runAppCalled"),i(function(n){n.runApp()})},window.inlineReact=function(n,t,e,o){Object(r.a)("InlineReactCalled","loadable"),l(n,t,e,o)},window.shimProxy=window.shimProxy||{webnodeSubscribeEventsQueue:[]};var f=!1,l=function(n,t,e,o){var u=function(){f||(f=!0,i(function(i){Object(r.a)("StartAppInlineReactCalled","loadable"),i.inlineReact(n,t,e,o)}))};window.shimProxy.webnode?window.shimProxy.webnode.subscribe("REACT_LOADABLE_LOADED",u):window.shimProxy.webnodeSubscribeEventsQueue.push(["REACT_LOADABLE_LOADED",u])};window.renderPrefetchedPage=function(n,t,e){i(function(r){r.renderPrefetchedPage(n,t,e)})},window.renderPrefetchedPageModalDeprecated=function(n,t){i(function(e){e.renderPrefetchedPageModalDeprecated(n,t)})},window.reportPageSpeedData=function(n){c(function(t){return t.reportPageData(n)})},window.setTimingData=function(n){c(function(t){return t.setTimingData(n)})},window.setGlobalMetadata=function(n){s(function(t){return t.setGlobalMetadata(n)})},window.updateGlobalMetadata=function(n){s(function(t){return t.updateGlobalMetadata(n)})},window.setServerPerfCheckpointData=function(n){c(function(t){return t.setServerPerfCheckpointData(n)})},window.setWebnodeLoadable=function(n){a(function(t){return t.setWebnodeLoadable(n)})},window.installSettings=function(){u(function(n){return n.installSettings()})}},yLpj:function(n,t){var e;e=function(){return this}();try{e=e||new Function("return this")()}catch(r){"object"===typeof window&&(e=window)}n.exports=e}});
Grunge lit is an Australian literary genre of fictional or semi-autobiographical writing in the early 1990s about young adults living in an "inner cit[y]" "...world of disintegrating futures where the only relief from...boredom was through a nihilistic pursuit of sex, violence, drugs and alcohol".[47] Often the central characters are disfranchised, lacking drive and determination beyond the desire to satisfy their basic needs. It was typically written by "new, young authors"[47] who examined "gritty, dirty, real existences"[47] of everyday characters. It has been described as both a sub-set of dirty realism and an offshoot of Generation X literature.[48] Stuart Glover states that the term "grunge lit" takes the term "grunge" from the "late 80s and early 90s—...Seattle [grunge] bands".[49] Glover states that the term "grunge lit" was mainly a marketing term used by publishing companies; he states that most of the authors who have been categorized as "grunge lit" writers reject the label.[49]

Boredom is a condition characterized by perception of one's environment as dull, tedious, and lacking in stimulation. This can result from leisure and a lack of aesthetic interests. Labor and art may be alienated and passive, or immersed in tedium. There is an inherent anxiety in boredom; people will expend considerable effort to prevent or remedy it, yet in many circumstances, it is accepted as suffering to be endured. Common passive ways to escape boredom are to sleep or to think creative thoughts (daydream). Typical active solutions consist in an intentional activity of some sort, often something new, as familiarity and repetition lead to the tedious.
Boreout is a management theory that posits that lack of work, boredom, and consequent lack of satisfaction are a common malaise affecting individuals working in modern organizations, especially in office-based white collar jobs. This theory was first expounded in 2007 in Diagnose Boreout, a book by Peter Werder and Philippe Rothlin, two Swiss business consultants. They claim the absence of meaningful tasks, rather than the presence of stress, is many workers' chief problem.
In Experience Without Qualities: Boredom and Modernity, Elizabeth Goodstein traces the modern discourse on boredom through literary, philosophical, and sociological texts to find that as "a discursively articulated phenomenon...boredom is at once objective and subjective, emotion and intellectualization—not just a response to the modern world but also a historically constituted strategy for coping with its discontents."[3] In both conceptions, boredom has to do fundamentally with an experience of time and problems of meaning.
Boredom is a universal experience. Almost everyone suffers from it in the course of their lives. Existing survey estimates show that between 30 percent and 90 percent of American adults experience boredom at some point in their daily lives, as do 91 percent to 98 percent of youth (Chin et al., 2017). Men are generally more bored than women. There is also a positive link between very low educational attainment and boredom.
×